Monday, November 30, 2009

Ann Richards

Dorothy Ann Willis Richards (September 1, 1933 – September 13, 2006) was an American politician from Texas. She first came to national attention as the state treasurer of Texas, when she delivered the keynote address at the 1988 Democratic National Convention. Richards served as Governor of Texas from 1991 to 1995 and was defeated for re-election in 1994 by George W. Bush. [1] Ann Richards was the second female governor of Texas, and the 39th Democratic governor to serve.


Early life

Dorothy Ann Willis was born in Lakeview (now part of Lacy-Lakeview), McLennan County, the only child of Robert Cecil Willis and Mildred Iona Warren. She grew up in Waco, participated in Girls State, and graduated from Waco High School in 1950. She attended Baylor University on a debate scholarship and earned a bachelor's degree. After marrying high school sweetheart David "Dave" Richards, she moved to Austin, where she earned a teaching certificate from the University of Texas. David and Ann Richards had four children named Cecile, Daniel, Clark, and Ellen.

Richards taught social studies and history at Fulmore Junior High School in Austin from 1955-1956. She campaigned for Texas liberals and progressives such as Henry B. Gonzalez, Ralph Yarborough, and future U.S. District Judge Sarah T. Hughes.

Political career

Early political career

By the 1970s, Richards was an accomplished political worker, having worked to elect liberal Democrats Sarah Weddington and Wilhelmina Delco to the Texas Legislature, and having presented training sessions throughout the state on campaign techniques for women candidates and managers. She supported ratification of the Equal Rights Amendment to the U.S. Constitution, presenting the amendment to the delegates of the National Women's Conference, held in Houston (1978). (The amendment was never ratified by enough states to become part of the Constitution.)

In 1976, Richards ran against and defeated a three-term incumbent on the four-member Travis County, Texas Commissioners' Court; she took 81.4 percent of the vote against Libertarian opponent Laurel Freeman to win re-election in 1980. During this time, her marriage ended, in part because of the strain of politics on the relationship. Richards' drinking became more pronounced, and she sought and completed treatment for alcoholism in 1980.

State Treasurer

After the incumbent Texas State Treasurer, Warren G. Harding (no relation to the former U.S. president of the same name), became mired in legal troubles in 1982, Richards won the Democratic nomination for that post. Winning election against a Republican opponent in November that year, Richards became the first woman elected to statewide office in more than fifty years. In 1986, she was re-elected treasurer without opposition. Richards was a popular and proactive treasurer who worked to maximize the return of Texas state investments. Richards said that when she took office, the Treasury Department was run something like a 1930s country bank, with deposits that didn't earn interest.[citation needed] At the 1984 Democratic National Convention, Richards delivered one of the nominating speeches for nominee Walter Mondale, and she campaigned actively for the Mondale/Ferraro ticket in Texas, even though President Ronald Reagan enjoyed great popularity in her state.

1988 Democratic National Convention

Richards's keynote address to the 1988 Democratic National Convention put her in the national spotlight. The speech was highly critical of the Reagan Administration and then-Vice President George H. W. Bush. Her address was notable for including several humorous remarks displaying her down-home Texas charm[citation needed] such as: "Poor George, he can't help it. He was born with a silver foot in his mouth[2]," "…two women in 160 years is about par for the course. But if you give us a chance, we can perform. After all, Ginger Rogers did everything that Fred Astaire did. She just did it backwards and in high heels[3]," and "When we pay billions for planes that won't fly, billions for tanks that won't fire, and billions for systems that won't work, that old dog won't hunt. And you don't have to be from Waco to know that when the Pentagon makes crooks rich and doesn't make America strong, that it's a bum deal." Richards' convention address has been cited by rhetorical experts as a historically significant speech. [4] The speech set the tone for her political future; she was a real Texan who established herself as a candidate who appealed to suburban voters as well as to the traditional Democratic base that included African Americans and Hispanics. In 1989, with co-author Peter Knobler, she wrote her autobiography, Straight from the Heart: My Life in Politics and Other Places.

Governorship

In 1990, Texas' Republican governor, Bill Clements, decided not to run for re-election. Richards painted herself as a sensible progressive, and won the Democratic gubernatorial nomination against Attorney General (and former congressman) James Albon "Jim" Mattox of Dallas and former Governor Mark White of Houston. Mattox ran a particularly abrasive campaign against Richards, accusing her of having had drug problems beyond alcoholism. The Republicans nominated multi-millionaire rancher Clayton Wheat Williams, Jr. After a brutal campaign and a series of legendary gaffes by Williams (most notably a remark about rape) in the final weeks before the election, Richards narrowly won on November 6, 1990 by a margin of 49-47 percent (Libertarian Jeff Daiell drew 3.3%); she was inaugurated governor the following January.[citation needed] [5]

She was a "minority governor" because her popular vote was below 50 percent. Although officially she was the second woman to hold Texas's top office, Richards is considered the first woman elected governor in her own right, since twice-elected Miriam "Ma" Ferguson is often discounted as having been a proxy for impeached governor James E. "Pa" Ferguson, her husband.

The Texas economy had been in a slump since the mid-1980s, compounded by a downturn in the U.S. economy. Richards responded with a program of economic revitalization, yielding growth in 1991 of 2 percent when the U.S. economy as a whole shrank.[citation needed] Richards also attempted to streamline Texas's government and regulatory institutions for business and the public; her efforts in the former helped to revitalize Texas's corporate infrastructure for its explosive economic growth later in the decade, and her audits on the state bureaucracy saved $6 billion.[citation needed]

As governor, Richards reformed the Texas prison system, establishing a substance abuse program for inmates, reducing the number of violent offenders released, and increasing prison space to deal with a growing prison population (from less than 60,000 in 1992 to more than 80,000 in 1994). She backed proposals to reduce the sale of semi-automatic firearms and "cop-killer" bullets in the state.[citation needed]

During her first term, she signed into law the amendment of the Texas Financial Responsibility Law where renewal of a motor vehicle's registration (also covers initial registration of a motor vehicle), safety inspection sticker, driver's license, and/or obtaining new license plates require that a motorist must have a valid auto insurance policy. The law, which passed on September 1, 1991, broadens the 1982 law where a police officer will request a driver's license and proof of insurance during a traffic stop.[citation needed]

She appointed then State Representative Lena Guerrero of Austin to a vacancy on the Texas Railroad Commission. The Hispanic Guerrero (1957-2008) was the first non-Anglo to serve on the commission in history. However, problems over falsification of her resume led to her resignation from the commission and defeat by the Republican Barry Williamson in the 1992 general election.

The Texas Lottery was also instituted during her governorship—advocated as a means of supplementing school finances; Richards purchased the first lottery ticket on May 29, 1992, in Oak Hill, near Austin. [6]

School finance remained one of the key issues of Richards' governorship and of those succeeding hers; the famous Robin Hood plan was launched in the 1992-1993 biennium and attempted to make school funding more equitable across school districts. Richards also sought to decentralize control over education policy to districts and individual campuses; she instituted "site-based management" to this end.

She was famous for her personal charisma, for her ease with the public, and even for her see-through wispy white hairdo. It was said that many people who knew her personally saw little if any difference between her public and private personas.[citation needed] Her sense of humor was often part of her day-to-day political life. Regarding a concealed weapons bill, she was asked if she didn't think the women of Texas might feel safer if they could carry guns in their purses. She replied, "Well I'm not a sexist, but there is not a woman in this state who could find a gun in her handbag, much less a lipstick."[citation needed]

She was unexpectedly defeated in 1994 by George W. Bush, winning 46 percent of the vote to Bush's 53 percent (Libertarian Keary Ehlers drew the rest), despite spending 23% more than the Bush campaign.[7] The Richards campaign had hoped for a misstep from the relatively inexperienced Republican candidate, but none appeared, and Richards created one of her own in calling Bush "some jerk."[8] In their book, James Moore and Wayne Slater allege that Bush and his advisor, Karl Rove, also resorted to using a smear campaign against Richards.[9]

Post governorship

Beginning in 2001, Richards was a senior advisor to the communications firm Public Strategies, Inc. in Austin and New York. From 1995 to 2001, Richards was also a senior advisor with Verner, Liipfert, Bernhard, McPherson and Hand, a Washington, D.C.-based international law firm. Richards sat on the boards of the Aspen Institute, J.C. Penney, and T.I.G. Holdings.

One of her daughters, Cecile Richards, became president of Planned Parenthood in 2006. Ann Richards demonstrated interest in social causes such as equality, abortion, gay rights and women's rights.

She was a tireless campaigner for Democratic candidates throughout the United States. In the 2004 presidential election, Richards endorsed Howard Dean for the Democratic nomination, and campaigned on his behalf. Richards later stumped for Democratic nominee John Kerry, highlighting the issues of health care and women's rights. Some political pundits mentioned her as a potential running mate to Kerry; however, she did not make his list of top finalists, and he selected North Carolina Senator John Edwards. Richards for her part said she was "not interested" in any degree of a political comeback.

Teaching

Ann Richards had taught social studies and history at Fulmore Junior High School in Austin (1955-1956). She continued teaching in later years.

Richards served at Brandeis University as the Fred and Rita Richman Distinguished Visiting Professor of Politics from 1997 to 1998. In 1998 she was elected as a trustee of Brandeis University in Waltham, Massachusetts, she was reelected in 2004, and continued to hold the position until her death.

She was diagnosed with osteoporosis in 1996, having lost 3/4 inch in height and broken her hand and ankle. She changed her diet and lifestyle, and then her bone density stabilized. She spoke frequently about this experience, teaching or advocating a healthier lifestyle for women at risk of the disease. In 2004, she authored I'm Not Slowing Down, with Dr. Richard U. Levine (M.D.), which describes her own battle with osteoporosis and offers guidance to others with the disease.

In a review of I'm Not Slowing Down by Steve Labinski, [10] the book was described as inspiring women to fight the disease with various tactics, such as:

  • identifying factors that might increase vulnerability to osteoporosis including lack of estrogen, menopause, and usage of drugs related to caffeine, tobacco and alcohol;[10]
  • emphasizing the impact of bone-density tests and explaining the process using Ann Richard's own bone test as an example;
  • supplying an extensive list of calcium-enriched foods which are beneficial, plus noting some foods to avoid;
  • listing everyday tips to improve muscle condition and prevent bone injuries.[10]

Reviewer Labinski also noted that in the mission to help women overcome osteoporosis, Ann Richards had created a useful, and often humorous, book that would inspire many.[10]

In the fall of 2005, Ann Richards taught a class called "Women and Leadership" at the University of Texas at Austin: twenty-one female students were selected for that class.

Arts and film

One of Governor Richards' first legislative requests was to move the Texas Music Office (created in 1990 during the administration of Governor Bill Clements) and the Texas Film Commission (created in 1971 during Governor Preston Smith's term) from the Texas Department of Commerce to the Office of the Governor. Richards' longtime personal interest in Texas film and music greatly raised the public profile of both industries, and bringing these two programs into the Governor's Office institutionalized these industries as key, high profile parts of Texas' future economic growth plans. Other Richards music milestones include publishing the first Texas Music Industry Directory (1991), and her "Welcome to Texas" speech to the opening day registrants of the 1993 South By Southwest Music and Media Conference. [11] She was involved with the Texas Film Hall of Fame from the beginning. At the first ceremony, she inducted Liz Smith. She was emcee every subsequent year but had to cancel at the last minute in 2006 because of her diagnosis with cancer.

Ann Richards

Richards said, "I’ve been a friend to Texas film since the number of people who cared about Texas film could have fit in a phone booth." She was an advocate for the Texas film industry, and traveled to Los Angeles to market her state. Gary Bond, director of the Austin Film Commission, noted, "She was far from being the first governor to appoint a film commissioner; I think she was the first that really brought the focus of Hollywood to Texas."

She was also a mentor to other women. She advised Rebecca Campbell, executive director of the Austin Film Society, "Whenever you speak in public you’ve got to tell them what you need from them."

She put the spotlight on film as a genuine industry, brought more focus to Texas, and had a tremendous network of people in the entertainment industry. She brought the Film Commission into the Governor’s office, where it remains today. She gave more focus to film as a business than had been done in the past.

Evan Smith, editor of Texas Monthly Magazine and president of the Austin Film Society board of directors, commented about Ann Richards and the film industry:

  • "I came to know Ann first as a moviegoer. I’d walk into various movie theaters and see the white hair up above the stadium seating. That’s how you’d know she was there. People do all kinds of things to get noticed in politics, but Ann wasn’t there for anyone but Ann. She was someone who loved the movies, loved the tactile experience of being in the movie theater, loved talking about movies, loved meeting filmmakers – I think she was more excited to meet filmmakers than foreign dignitaries. At the Texas Film Hall of Fame, she was as much as celebrity at that event as anyone honored. People paid money to see her as much as anyone else there. She would often ride down to Austin on the New York plane with the celebrities being honored. One year it was with Ethan Hawke. All she wanted to talk about, at the pre-party, was that “Ethan Hawke is so cute.” She loved him. This was not something that could be faked. She was starstruck. She loved these guys … (Watching a clip from Terrence Malick’s “Days of Heaven” at a Hall of Fame ceremony), she is mesmerized by this image. I mean, her eyes are glued to that screen. Again this is not something that you can fake. And she looked at me and she said “I love the movies” with this childlike voice, this passion. Standing next to me at that moment was not the former governor, a political swordsman... she was like all the rest of us, just someone who loved the movies. It’s a terrible loss for Texas in so many ways, but for the cultural community to have an advocate in that position, you don’t have that but once a generation, if you’re lucky." – Evan Smith[11]

Ann Richards also lent her trademark voice and command of language to the screen. She narrated the popular and humorous documentary film "Barbecue: A Texas Love Story" for young Austin director Chris Elley, going as far as holding a big BBQ rib in front of her face for publicity photos. During the voice session, she even helped revise the script. In the audio booth, she pointed out a phrase in the original script that was too vague in her opinion by joking "What does that mean?! It doesn't mean anything. It sounds like something George Bush would say." Richards also voiced parts in the Disney film "Home on the Range" and the Fox TV series King of the Hill.

It is believed her last appearance in film was in a short public announcement used at the Alamo Drafthouse asking patrons to not be disruptive during the film.[12] The Alamo Drafthouse still uses it today, with an addition at the end in honor of Ann Richards.

Ann Richards was active in the Austin City Limits Festivals, and the South by Southwest (SXSW) Festival: the interactive, music, and film festival, held each year in Austin.

Death

In March 2006, Richards disclosed that she had been diagnosed with esophageal cancer. She received treatment at The University of Texas M. D. Anderson Cancer Center in Houston [1]. She died from the esophageal cancer on September 13, 2006, at night in her home in Austin, surrounded by her family. [13] She was survived by her four children, their spouses, and eight grandchildren. Three memorial services were held.[14]

Awards

During her career, Ann Richards received many awards and honors including: Baylor Distinguished Alumna, the Texas NAACP Presidential Award for Outstanding Contributions to Civil Rights, the National Wildlife Federation Conservation Achievement Award, the Orden del Aguila Azteca (Order of the Aztec Eagle) presented by the government of Mexico, the Maurice N. Eisendrath Bearer of Light Award from the Union of American Hebrew Congregations, and the Texas Women’s Hall of Fame honoree for Public Service.

The Ann Richards Middle School in Austin, Texas is named for Governor Richards. The Ann Richards School for Young Women Leaders, a college preparatory school for girls in grades 6-12, opened in the fall of 2007 in Austin.

On November 16, 2006, the City of Austin changed the official name of Congress Avenue Bridge to "Ann W. Richards Congress Avenue Bridge."

Popular culture

In 2001, Governor Richards guest starred in a fifth season episode of the Texas-based animated TV series King of the Hill. In the episode entitled "Hank and the Great Glass Elevator", she gets mooned by Hank Hill and then enters into a brief relationship with Bill Dauterive.

Film Bush's Brain: Ann Richards was a topic in the film Bush's Brain (by Joseph Mealey and Michael Shoob), in a long segment regarding her defeat in the 1994 election for Texas Governor. The film presents the case that the defeat of Richards involved a whispering campaign that the governor (mother of four children) was a lesbian because she had allegedly hired many gays and lesbians to work on her re-election campaign. [15]

Wednesday, June 10, 2009

Waltham, MA

Billed by the Chamber of Commerce as the "Birthplace of the American Industrial Revolution", and an early center for the Labor Movement, Waltham is a city in Middlesex County, Massachusetts, United States. The original home of the Boston Manufacturing Company, the city was a prototype for much 19th century industrial city planning. The city is now a center for research and higher education. The population was 59,226 at the 2000 census. The name Waltham means 'home in the woods'.

Waltham is commonly referred to as Watch City because of its association with the watch industry. This is due to Waltham Watch Company, which opened its factory in Waltham in 1854. It was the first company to make watches on an assembly line. It won the gold medal in 1876 at the Philadelphia Centennial Exposition. Over 40 million watches, clocks and instruments were produced by Waltham Watch Company until it closed in 1957.

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SIDEBAR: Waltham Supermarket on Main Street, established in 1936, was a large historic grocery store that closed in the 1990s. However, the building continues to be a supermarket, occupied by Shaw's, then Victory, and now Hannaford.

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Notable residents

Wes Craven & Scream


Wesley Earl "Wes" Craven (born August 2, 1939) is an American film director and writer, perhaps best known as the creator of many horror films, including the famed A Nightmare on Elm Street series featuring the iconic Freddy Krueger character. He is also the director of the Scream films.
***
The Scream film series is a series of cult horror films directed by Wes Craven and written by Kevin Williamson, and later Ehren Kruger, which began in 1996. The main plot involves a psychopathic serial killer wearing a Halloween costume attempting to kill Sidney Prescott (Neve Campbell) and various other characters involved in her life. Each film begins with the gory murder of a couple and takes off from there leading to the revelation of the killer's identity and the final battle between Sidney and the killer. They revitalized the slasher film genre in the mid 1990s, in a similar way to Halloween (1978) in the 1970s, by using a standard concept with a tongue-in-cheek approach that successfully combined straightforward scares with dialogue that satirized slasher film conventions. The first film became a major commercial success upon its release, and was one of the highest grossing films of 1996. It was also highly acclaimed by many critics worldwide, who appreciated the film's tongue-in-cheek approach.

Tuesday, June 9, 2009

The Dakota

The Dakota, constructed from October 25, 1880 to October 27, 1884,[3] is an apartment building located on the northwest corner of 72nd Street and Central Park West in New York City.

The architectural firm of Henry Janeway Hardenbergh was commissioned to do the design for Edward Clark, head of the Singer Sewing Machine Company. The firm also designed the Plaza Hotel.[4]

The building's high gables and deep roofs with a profusion of dormers, terracotta spandrels and panels, niches, balconies and balustrades give it a North German Renaissance character, an echo of a Hanseatic townhall. Nevertheless, its layout and floor plan betray a strong influence of French architectural trends in housing design that had become known in New York in the 1870s.

According to popular legend, the Dakota was so named because at the time it was built, the Upper West Side of Manhattan was sparsely inhabited and considered as remote as the Dakota Territory. However, the earliest recorded appearance of this account is in a 1933 newspaper story. It is more likely that the building was named "The Dakota" because of Clark's fondness for the names of the new western states and territories.[5] High above the 72nd Street entrance, the figure of a Dakota Indian keeps watch. The Dakota was added to the National Register of Historic Places in 1972, and was declared a National Historic Landmark in 1976.
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The building is best known as the home of former Beatle John Lennon and his wife, Yoko Ono, starting in 1973, and as the location of Lennon's murder by Mark David Chapman on December 8, 1980. As of 2009, Ono still has an apartment in the building. The Strawberry Fields memorial was laid out in memory of Lennon in Central Park directly across Central Park West. Every year, Ono marks the anniversary of Lennon's death with a now-public pilgrimage to the memorial
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Several movies, including Rosemary's Baby and Vanilla Sky directed by Roman Polanski and Cameron Crowe respectively, use the exterior of the Dakota. Interiors of the building portrayed in the films had to be shot on a soundstage as the Dakota does not allow filming inside.[citation needed]

The Dakota has also been mentioned specifically in several novels including Time and Again by Jack Finney, The Hard Way by Lee Child, Douglas Preston & Lincoln Child's novels about the character Special Agent Aloysius X. L. Pendergast, Harlan Coben's novels about Horne Lockwood III, and the book series The Baby-Sitters Club.

Several bands and artists also mention the Dakota in their songs, most often in reference to John Lennon. Some of those songs are performed by Tim Curry, Nas, Hole, Christine Lavin, Brand New, and O.A.R., along with a reference in the musical The Last Five Years.[citation needed]

It is also quite plausible that the residence of Dr. Niles Crane on the TV show Frasier - the Montana, is based on the Dakota.

Video footage of the building is sometimes used when going into and coming out of commercial breaks during the court show Judge Judy.

Monday, June 8, 2009

Maus


Maus: A Survivor's Tale is a memoir by Art Spiegelman, presented as a graphic novel. Parts of the story were originally published in the magazine RAW between 1980 to 1991. The complete story was published in two volumes: the first in 1986 ("My Father Bleeds History") and the second in 1991 ("And Here My Troubles Began").[1] The graphic novel as a whole took thirteen years to complete. It recounts the struggle of Spiegelman's father to survive the Holocaust as a Polish Jew and draws largely on his father's recollections of his experiences. The book also include one of his earlier comics. The book also follows the author's troubled relationship with his father and the way the effects of war reverberate through generations of a family. In 1992, it won a Pulitzer Prize Special Award. All people are presented as anthropomorphic animals (for example, all Jews are depicted as mice, hence the name Maus which is German for "mouse"). The New York Times described the selection of Maus for the honor: "The Pulitzer board members ... found the cartoonist's depiction of Nazi Germany hard to classify."

Animals Used:
  • The Jews are represented by mice.
  • The Germans are represented by cats.
  • The Poles are represented by pigs.
  • The Americans are represented by dogs.
  • The Roma (Gypsies) are represented as gypsy moths (found on page 133 of Maus II, page 293 of The Complete Maus).
  • The French are represented by frogs.
  • The Swedes are represented by reindeer (found on page 125 of "Maus II").
  • The British are represented by fish (found on page 131 of Maus II, page 291 of The Complete Maus).
  • Two children of a Jew and a German are shown as a mouse with cat stripes (found on page 131 of Maus II, page 291 of The Complete Maus).
  • The background of page 34 of Maus I (pages 36 and 171 of Complete Maus) also depicts a rabbit, a moose, a horse, an elephant, a goat and a llama all of which are unspecified as a group.

The animals are symbolic of the different nationalities and races for a number of reasons:[3]:

  • The Jews, as mice, satirizes the Nazi portrayal of Jews as vermin. Also, this may symbolize the resourcefulness many Jews exhibited during the Holocaust and the inability of the Nazis to completely wipe out such a species. At some point in the narrative, the author is questioned by an Israeli Jew, depicted as a rather stuffy mouse who has gained some weight. When asked what particular animal he would have chosen to represent the Israelis, Spiegelman answers: "I have no idea... porcupines?"
  • After the comic was released in Poland many Poles found it offensive to be represented by pigs. However, there are many Polish characters who are portrayed sympathetically or positively such as the Spiegelmans' governess or Mrs. Motonowa who hides Vladek and Anja at great personal risk. Spiegelman explained that he chose pigs in good faith because of their resemblance to famous American cartoon characters like Miss Piggy and Porky Pig. The choice may also reflect the traditional agricultural Polish way of life.[4][5]
  • The French being frogs would appear to be a direct reference to an oft-used nickname, itself a lampoon of the fact that the French are supposedly renowned for eating frogs: it is also, however, suggested that Spiegelman wanted a certain amount of sliminess about the French, as he says to his (French) wife: "Bunnies are too innocent for the French... Think of the years of anti-Semitism."

With the exception of the Americans (dogs), the animal characters are all drawn alike. For instance, most of the Jewish mice resemble each other regardless of sex or age. Clothing and other details are used in order to tell them apart: Spiegelman himself, for instance, is always wearing a white shirt and a black sleeveless overshirt; his French wife, Françoise (herself portrayed as a mouse, because she converted to Judaism), wears a striped t-shirt, and Vladek's girlfriend before Anja, Lucia, has very noticeable breasts (Maus, vol. 1, p. 15). While wandering the streets of their Nazi-occupied town, the Jews wear pig masks in order to show the trouble they went through to pass themselves off as non-Jewish Poles.

The use of animals in the graphic novel may seem incongruous, but instead of creating social typecasts, Spiegelman lampoons them and shows how foolish it is to classify a human being based on nationality or ethnicity.[6] His images are not his: they were "borrowed from the Germans... Ultimately what the book is about is the commonality of human beings. It's crazy to divide things down along nationalistic or racial or religious lines... These metaphors, which are meant to self-destruct in my book — and I think they do self-destruct — still have a residual force and still get people worked up over them."[7]

The use of animals may also be used in order to detach the reader from real life. This may have been done to appeal to a younger generation of readers, yet still telling a story of survival and death during the Holocaust. But instead of fully detaching the reader from the book, he shows a human aspect by illustrating how his father tells his story and by showing the emotions and relationships of the characters throughout.

Full House

Full House is an American television sitcom that ran from September 22, 1987 to May 23, 1995 on ABC. Set in San Francisco, California, it chronicles widowed father Danny Tanner (Bob Saget) who, after the death of his wife in a car accident caused by a drunk driver, enlists one of his best friends Joey Gladstone (Dave Coulier) and his brother-in-law Jesse Katsopolis (John Stamos) to help raise his three daughters, and later on in the series Jesse's wife Rebecca Donaldson (Lori Loughlin) joins the household.

The series was created by Jeff Franklin (who would later create Hangin' with Mr. Cooper, which was placed directly after Full House on Tuesdays in 1992 and on which Stamos and the Olsen twins guest starred) and executive produced by Franklin, along with Thomas L. Miller and Robert L. Boyett, who also produced the popular ABC sitcoms Happy Days Laverne and Shirley, Mork and Mindy, Bussom Buddies, Perfect Strangers, Family Matters, and Step by Step.

The series was produced by Jeff Franklin Productions and Miller-Boyett Productions, in association with Lorimar-Telepictures (1987-1988), Lorimar Television (1988-1993), and then by Warner Brothers Television (1993-1995). It is also the only videotaped sitcom produced by Miller-Boyett Productions; all other Miller-Boyett comedies were shot on film.

Sunday, June 7, 2009

Start at the Beginning

Wikipedia is a free,[5] multilingual encyclopedia project supported by the non-profit Wikimedia Foundation. Its name is a portmanteau of the words wiki (a technology for creating collaborative websites, from the Hawaiian word wiki, meaning "quick") and encyclopedia. Wikipedia's 13 million articles (2.9 million in the English Wikipedia) have been written collaboratively by volunteers around the world, and almost all of its articles can be edited by anyone who can access the Wikipedia website.[6] Launched in January 2001 by Jimmy Wales and Larry Sanger,[7] it is currently the most popular general reference work on the Internet.[3][8][9][10]

Critics of Wikipedia accuse it of systemic bias and inconsistencies,[11] and target its policy of favoring consensus over credentials in its editorial process.[12] Wikipedia's reliability and accuracy are also an issue.[13] Other criticisms are centered on its susceptibility to vandalism and the addition of spurious or unverified information,[14] though scholarly work suggests that vandalism is generally short-lived.[15][16]

Jonathan Dee, of The New York Times,[17] and Andrew Lih, in the 5th International Symposium on Online Journalism,[18] have cited the importance of Wikipedia not only as an encyclopedic reference but also as a frequently-updated news resource.

When Time magazine recognized You as its Person of the Year for 2006, acknowledging the accelerating success of online collaboration and interaction by millions of users around the world, it cited Wikipedia as one of three examples of Web 2.0 services, along with YouTube and MySpace.[19]